Book release announced March 25, 2014
Click photos to enlarge.
An audio reading of The Muse of Atlantis
This edition of the Poseidonis stories features a new prelude written by the eminent California troubadour Donald Sidney-Fryer and a poem not published since the Dark Chateau. With frontispiece and interior illustration by the author.
The book's dimensions are based on the golden rectangle application of the golden ratio. Hand set and printed on laid Hahnemuhle german paper.
Hand bound with ornate pastedown and endpapers from Nepal.
The Muse of Atlantis
The Last Incantation
The Death of Malygris
Limited to 55 Copies All copies currently reserved. Please contact me if you want to be on a waiting list.
Pegana Press Books
A truly beautiful volume.
This to-be even rarer CAS edition harkens back to the earliest collections of Smith's work, both those printed at the author's expense and those scarce editions compiled by those similarly swept away by the genius (loci) of this master wordsmith.
In construction, "The Age of of Malygris" is reminiscent of the Book Club of San Francisco's 1943 edition of "Odes and Sonnets" and the Philopolis Press 1912 edition of "The Star Treader and Other Poems."
The design of "The Age of Malygris" incorporates the Golden Rectangle, a mathematical ratio that has fascinated men of art and science since Pythagorus (6th century BCE), the rectangle considered the most aesthetically pleasing; and this little volume is truly a delight to the eye even before one dips into its exquisite contents.
Donald Sidney-Fryer, CAS historian/bibliographer ("The Emperor of Dreams", Donald M Grant, 1978) and gifted poet in his own right ("Songs and Sonnets Atlantean", Arkham House, 1971) aptly provides the introduction to Smith as fellow poet and priest of Atlantis.
The tales and poetry, of course, are still replete with the magic that acolytes of Smith have long-loved and, even after 80 years, still inspire awe and wonder.
The original posted review may be found on our Facebook page.
It's a lovely book. It's been a week or so since I read it. I had to collect it on my way to work and wait until the evening to have a proper look at it (I couldn't resist taking a peek in my lunch break). This was all to the good, as when I read the book it was in the golden glow of a late-afternoon sun slanting in at a low angle and showing the grain in the paper.
CAS's stories - these two, certainly - benefit from being given room to "breathe" with generous margins and a fairly large font. The prose poem and "maledictory" (as opposed to valedictory!) poem framing the two stories were new to me and so were the two CAS illustrations. All-in-all it's a very nice book indeed. Thank you for producing it!
We can only consider such a realization as an enthusiastic revival of ancient private press. The project has kept its promises and intentions delight by its consistency. I must say that I could not resist to this book's siren call. I enjoy laid paper. Hahnemühle was the best choice. Optima font suits perfectly on it. The Lokta paper that adorns the limits (I mean inside covers) of the volume intensifies the refinement and offers a vegetal embellishment, something essential in Smith’s mind. The great bottom and right margins enable to hold the book in a pleasant way and give a leisurely reading. It’s also nice for our annoying hands as we usually do not know where to lay them! – especially on this kind of book that we want to handle cautiously. The uncommon size also enchants the reader with a good eye.
An element I find delicate is the violet bookmark you put inside. This color is absent from the body of the book, except on the justification page: copies are numbered with violet ink. It’s a kind of supreme touch that superimposes and crowns the phantastick of the text and the phantastick of the handcraft. Nothing more honorable to emphasize.
I look forward to see Cycle II. Zothique stories would be another exquisite piece. And why not enhance sensation by choosing then a laid, slightly tinted paper that might evoke the color of sand?
-- Damien Gonnessat